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Come From Away – Nottingham 1.2.24 Review

 

 

Every once in a while, the perfect cast meets the perfect production, and magic is created. Last night, Come From Away at Nottingham’s Theatre Royal was one of those rare moments where everything aligned, producing a captivating, emotionally charged performance. This musical, based on the true events of 9/11, tells the story of 7,000 stranded airline passengers who were welcomed by the small community of Gander, Newfoundland. The show explores how this unexpected situation brought people together in ways that are both touching and inspiring.

The talented ensemble cast of 12 actors was a marvel, effortlessly switching between multiple roles, each bringing a new character to life with just a change of costume or accent. The fluidity of their performances ensured that the pace of the show never wavered, keeping the audience completely absorbed. Zoe Hurwitz’s minimalist set design added to the seamless storytelling, where every piece of scenery was moved with grace, giving the performance an almost choreographed quality.

The musical score, inspired by Celtic rhythms, was infectious and powerful. Songs like “Prayer” and the lively “Screech In” captured the essence of both the emotional and lighthearted moments, with the live band playing an essential role in creating an intimate connection with the audience. The band’s visibility on stage allowed them to become part of the performance itself, further enhancing the communal feel of the production.

This production didn’t just focus on delivering an incredible performance, but also on giving back to the local community. Partnering with Emmanuel House, a local charity, the theatre encouraged patrons to donate warm clothing for those in need, which beautifully mirrored the show’s central themes of kindness and generosity.

In short, Come From Away is a theatrical triumph, full of heart, humour, and humanity. The performances were unforgettable, the music was stirring, and the sense of community it fostered both on and off the stage made it a must-see. With its stay at Nottingham Theatre Royal ending soon, this is a performance you simply cannot afford to miss.

 

Editor
Editor of LLR since 2005

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