The opening performance of The History Boys at Nottingham Theatre Royal was a perfect production of one of my favourite plays of all time. This 20th-anniversary revival of Alan Bennett’s beloved play, directed by Seán Linnen, breathed new life into a classic, making it feel as fresh and relevant as ever.

From the first scene, the audience was immediately drawn into the chaotic, vibrant world of Cutlers’ Grammar School in the 1980s. Simon Rouse as Hector was a force of nature—both endearingly eccentric and tragically flawed. His portrayal was a masterclass in capturing the contradictions of a character who inspires both admiration and discomfort. Opposite him, Bill Milner’s Irwin was all sharp edges and controlled ambition, providing the perfect counterbalance to Hector’s more chaotic energy. Meanwhile, Gillian Bevan’s Mrs. Lintott quietly stole scenes with her dry wit and grounded wisdom, offering a voice of reason in a world dominated by the egos and insecurities of the male characters.

But it was the ensemble of young actors playing the students who truly brought the play to life; their chemistry was palpable, making every classroom scene crackle with energy. Lewis Cornay’s Posner was particularly memorable, his emotional journey underscored by a beautifully haunting singing voice that added layers of poignancy to his character’s struggles. This perfectly captured the emotive journey of the boys as they grapple with their academic and personal challenges. Archie Christoph-Allen as Dakin oozed charisma, while Teddy Hinde’s Timms brought a mischievous charm that kept the audience laughing throughout.

The production was visually stunning as well, with a dynamic set design that fluidly shifted between scenes, capturing the relentless pace of the boys’ journey toward adulthood. The 80s soundtrack pulsed through the theatre, not just as a backdrop but as a heartbeat that connected the audience to the era and the characters’ youthful exuberance.

Yet, The History Boys is more than just a nostalgic trip back to the 80s; it’s a profound exploration of the purpose of education and the moral complexities that come with it. The production did not shy away from the darker aspects of Bennett’s script, particularly the troubling dynamics between Hector and his students. These moments were handled with sensitivity and depth, forcing the audience to confront uncomfortable questions about power, mentorship, and the sometimes blurry lines between them.

In the end, this production of The History Boys wasn’t just a trip down memory lane—it was a powerful reminder of why Bennett’s play remains so vital. It entertained, yes, but it also provoked thought and conversation, leaving the audience with much to ponder long after the final curtain fell. For those lucky enough to catch this revival in Nottingham, it was a night at the theatre that won’t soon be forgotten.

The History Boys runs until September 14th in Nottingham.