Any album that takes 5 years to mould and sculpture together is greeted with an intensity of expectation, as well as wall of collective respect by the opinion leaders of the musical universe. However, proving the respect is not misplaced, and satisfying the levels of expectation is what really matters, and if any artist can achieve this – to reluctantly quote an outdated cliche – ‘the rest is history’…
London based New Zealand band Melic are the latest daredevils attempting to conquer this mean feat, with their brand new record ‘An Hour To Anywhere’. Constructed throughout the English capital in a trio of studios the bands debut album is on call to rifle its way to success. And with the pre-album narrative in the bag, the heightening expectations of future listeners everywhere is practically audible.
Opening track ‘Better Off Before’ strikes off proceedings, politely bowing its way though an unnaturally calm 43 second guitar intro, welcoming the strengthening drums which carry us for a further 17 seconds of delicate simplicity. Mark Hitchcock‘s typically acoustic voice hovers in, zipping everything together with its unpredictable bluesy tones, resulting in a perfect opening chapter for an album which will surely be brimming with ballads.
The better half of a previously released double single ‘Nowhere I’d Rather Be’ demonstrates the potent consciousness of the album, somewhat heavier than the previous, it safely navigates itself through a distortion fuelled intro. Hypnotically emotive lyrics shuffle in like a tide of imperfect emotion, showcasing a real subtle understanding of the unexpected strength of simplicity.
‘An Hour To Anywhere’ is a very promising record, with the diamonds certainly overshadowing the rough then this is certainly worth the listen. On the other hand, if it doesn’t grab you by the moustache, make sure Melic are added to the ‘potential future music messiahs’ note on your iphone, as all the album needs is a good ironing, removing the unnecessary creases, paving the way for a memorable band.
By Charlie Sellings
